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Fantastic Resources and  arts and crafts workshops

I am always looking for new sites, new places to shop and new and easier places to locate what I need to make stuff. I just found an amazing site called, the lonely crafters guide to london

: http://cargocultcraft.com/knowledge/lonely-crafters-guide-to-london/

Here it has a comprehensive list of all fabric, haberdashery, trimmings and bead shops in London. In addition to my hints on where to buy stuff it comes with a great map which pinpoints the shops and wear they are.

http://maps.google.co.uk/maps/ms?hl=en&ie=UTF8&msa=0&msid=109288182410243877466.000480be122e45caaeef9&ll=51.530533,-0.117416&spn=0.203755,0.617294&z=11

I found it as I was looking for more craft classes. I am completely self taught in the art of embroidery , sewing, beading and most other creative pursuits, yet would like to learn more. I am about to embark on a book binding course, with the idea of designing and making my own libretas for my godchildren. I am doing this course at this place called the make lounge in Islington. There are many places that hold arts and crafts workshops in London. The other one that I found the other day is http://www.beyond-fabrics.co.uk/ This also holds workshops and drop in sessions to update your sewing skills. I really want also at some point to visit the Fan Museum in Greenwich. It also holds fan making workshops. 

http://www.thefanmuseum.org.uk/

can’t wait to do that!  

For Chango

Polenta and Apple Chango inspired Biscuits.

Whilst I talk about Making things, I have to say I have the most talented godaughters when it comes to the kitchen. I am looking forward to my godaughters launching their own blessed biscuit range. My godaughters Beverli  and Dawn have come up with some amazing recipes   So do you have Aché in your hands, what is your art?

Yemaya

Molasses Crunch Biscuits with Sea Blue Frosting for Yemaya

Obatala Biscuits

Biscuits for Obatala with Merengue and Vanilla

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FILMING AND PHOTOGRAPHY:   I hold very strong views about the filming and photography of certain things in our religion. In my house,( and I may soon be alone in this, however I am determined to hang on to what I sincerely believe in ) I do not allow the filming or photo taking of anything once a ceremony has started. IE  I allow no filming or taking photos of  and during TAMBORS, GUIROS,  etc. I also do not allow anyone to take photos of my thrones or altars, expect by invitation. WHY is this may you ask?  There are thousands of tambors, guiros posted onto you tube every day from all over from the US to CUBA and BEYOND! Well here are my reasons.

FILMING OF TAMBORS ; GUIROS ETC:

For me it is all about motive. WHY would you want to film a ceremony which is a spiritual coming together to honour and  bring down the Orisha? It makes no sense to me. I have said this on various occasions. These are not gigs, they are not concerts; they are not about how famous your godparents are or who was playing at your tambor. It is not about how amazing the Akpwon sung, what a good time we all had, how so and so dances. It is a spiritual ceremony. When there is a camera, human beings seem to forget to be themselves. There is posing, there is acting, and a whole lot of ridiculousness. The Akpwon starts to sing to the camera and not serving the purpose of singing to the Orisha and motivating the congregation. As for bringing down the Orisha. I find it inappropriate and intrusive, indeed voyeristic. Now you might be following this path, but once it is out there on the WWW. anyone can see it. There are also enough imposters around without encouraging them by putting out so much information about what goes on within a tambor. Where there are no cameras, there is more or less complete focus. People forget about how they are going to look infront of the camera, how they dance, if they look nice today. There are no distractions. Everything is documented these days, can we not just have some sacred space please?  Somewhere that is camera free, where the motive is to worship?  The capturing of images I also prohibit during tambors. A camera is a camera and recording a ceremony whether still or moving image, is the recording and documentation of the ceremony. I always let people know that they are to leave their cameras at home. Anyone caught filming in my house would be asked to leave, since I feel so strongly about this. The filming serves no purpose accept to enhance the ego of whoever particpated, perhaps, if that………… for those of you who film or allow the filming of these occasions. I hope that I may have opened your eyes to why it is really at odds with our religion. A few years ago a very arrogant man approached me and asked if he could film some ceremonies in my house. He was making a documentary and wanted to “dispel myths” about the religion. I turned him down. Why? First of all he was not a practitioner. Second of all I do not believe it is necessary to “educate” people. We are not here to convert people or to try and justify our practices and third of all whatever is filmed can be taken out of context and turned against us as it has done many times in the past. I also believe that our religion has survived intact because of the secrecy that surrounds much of our practise. Although a tambor is open to the public I believe that the filming of them may be just the beginning and before long other ceremonies within are religion are very likely to be filmed, I do not believe there is a purpose or anything positive to be gained by this.

TAKING PICTURES OF ALTARS. I also prohibit this as a general rule in my house, although I may invite someone  or if someone asks I may say yes. Why? Our religion can be extremely visual, our Elekes, our thrones and how we dress our Orisha and decorate our altars attract the artist eye.  Indeed many people seem to be drawn to our religion whether it be because of it’s visual beauty or it’s songs and rhythms yet for me those things are the periphery of a religion which is all encompassing and  very deep since it really does address the spirituality and journey of each individual person and challenges the perceptions and ideas that one has about what one may want and how one should behave. The concept of Iwa Pele ( good character) is fundamental and also the idea that you give in to a higher power in how you live your life. This is not an easy path. And I have seen few who truly follow it as they should. Often, people do not address their motives, look at their behaviour or challenge themselves and their egos.  I have many people who visit my house whether it be for a class or other purpose.  Not all my visitors and friends  follow the same path. Many people I find with an artistic eye are drawn to the visual, but very rarely wish to go beyond that.  I have so many requests and people who wish to take photos, and I usually turn them down, since I believe that if I just allow it to become a free for all, it will end up being a paparazzi fest of people click clicking away and I do find that intrusive and inappropriate. Then it becomes  a voyeurs spectacle, motive being that the throne or altar becomes an object of someone’s artistic eye rather than an altar for the Orisha. When I build a throne the love and thought that goes into the process is so much deeper than how it will appear visually. I hope that people will understand this. I know others those who do not agree or think in this way, but as I said some things I say on this blog are said because I truly believe them, they are my opinions and my interpretation and I do not expect everyone including Olorishas to agree with everything I say. But I hope what I write will be thought provoking. When people view a throne, or see or visit my Ocha room and see my Orisha displayed, I would like people to see the beauty in their mind’s eye with appreciation and respect without thinking too much about how to record the scene.

Thankyou for taking the time to read this


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Connecting to the elements; a Santera’s guide to London.

One of the great things about walking this path is the fact that it inspires you and obliges you to connect with nature, even in an urban environment. Hills, Rivers, forests and the Sea are all quite accessible for us. and if you need a Cemetery there are some fantastically historical ones to go to. Here are some of my tips on where to go in London;

HILL

London is not a flat City, there are plenty of fabulous Hills to visit. Please note my hill knowledge is quite north London based. Please feel free to add your information to this blog! Alexandra Palace is a great spot. It boasts a marvelous view of the whole of London. A good time to go is mid week, no one is there and whilst you are there,  you can visit the rose garden, the deer sanctuary and go boating on boating lake where there are plenty of wild birds and ducks. There is also Parliament Hill. This is a well known hill for revolutionaries. This is the Hill where Guy Fawkes plotted the overthrowing of Parliament; you can see the Houses of Parliament from this hill, hence it’s name! On a windy day, there is a lot of Kite Activity to be seen and again mid week day time is a good time to go. It is also accessible at night time, but  a word of caution, this is a well known cruising area.  be careful that you don’t get lost in the dark and stumble over fumbling bodies. ( this almost did happen to me embarrasingly). Primrose Hill is another delightful spot,but not such a large hill really, but it is really pretty with a nice view of the Post office Tower. Apart from these Hills you could visit Shooter’s Hill and Sydenham Hill in the South, and Harrow on the Hill in the North, in addition to the Hill that is in Greenwhich Park, the top of this hill houses the Meredian Line, and I only just visited it the other day. It was quite fascinating!

Greenwhich

Me on the Meridian Line on top of the Hill at Greenwich Park

Lastly there is HIghgate Hill which is a fantastic part of London since it also is home to my favourite woods; Queen’s Woods and Highgate Woods

WOODS

@Highgate

Queens Woods an evening in Spring

Highgate and Queen’s Woods: I just love these woods, they are so green and silent, and beautiful. My favourite time to walk in the woods is at dusk, when the light sparkles through the trees.  When I was a very young girl. My father bought me a book about British Trees. I was strangely fascinated. The book had a picture of each tree, the fruit it bares and the shape of it’s leaves and to this day my recognition of England’s most popular trees is pretty good. The trees in Highgate Woods are mainly Oak Trees and Hornbeam, these trees are particular to South East England and that is why these Urban woods are so special. Highgate Woods was part of the ancient Forest of Middlesex whilst it’s neighbour Queen’s Woods is part of ancient woodland dating back to pre-historical times. Queen’s woods is smaller than Highgate Woods, but it certainly has captured my heart. It boasts, a stream, a frog pond and much flaura and fauna and birds of all sorts including the Cuckoo.  The gates of the Woods Close at dusk and open and dawn, and therefore access is limited in the same way as access to most parks. If you are looking for a larger Forest, then I suggest Epping Forest is the one for you. Epping Forest houses the Oak Tree, the Hornbeam, the Beech and the Birch, is home to rivers, bogs, Woodland, Grassland and Ponds, and is situated between North East London and Essex, lying in valleys between the rivers Lea and Roding. Queen Victoria named the forest the People’s Forest in 1882 allowing everyone to enjoy it. For those who enjoy a bit of drama, Epping Forest has criminal connections Highway Man Dick Turpin had his hide out here. Anyone watching the Soap Eastenders,  Tanya tried to bury Max here and it was filmed on location! A most beautiful place to go in Spring time is Happy Valley Park near Croydon. During spring time, the woods become carpeted by beautiful Blue Bells. Me and my friends often used to take our children there on Easter Egg Hunts.

THE SEA 

I know you are in London, but a trip to Brighton is not so far away. One and Half hours drive more or less. Brighton to be honest is not the most attractive beach around, but take a left towards Rottingdean and the walks on the stoney beaches are quite pleasant and one can avoid the tourists.  The nearest Place to London  to visit Yemaya is most probably South End on Sea, where there are seven miles of beaches and even some sandy ones for those of you who don’t enjoy the stones, not sure why. And the best time for me to visit these places is contrary to most people, not when it is not hot and sunny!  I like to go when nobody goes and have some quiet time to meditate. The good thing about England I guess is that you are never to far from the sea, since we are an island, take your pick!  There is some fantastic coastline and if you fancy travelling further, there are some amazing places to visit. The sandunes on the Norfolk Coast, Sandbanks in Poole Dorset, the Rugged coastlines in Scotland, which is your favourite sea spot?

Sea

The Sea at Rottingdean, South Coast of England

RIVERS

I have researched most thoroughly into London’s Rivers. In particular Rivers where you can go up close and personal. You cannot seriously be in communication with Oshun from the top of a Major Bridge many miles away form the water ( ie Waterloo, Blackfriars, Tower and Westminister Bridges) surrounded by thousands of tourists. There are so many intimate spots in London where you can sit on the banks of the river in silence and away from the madding crowds. Indeed London is built around and ontop of Rivers; most of which are now running underground. Everywhere in London holds clues to the fact that there was some river activity; Eg the word Byrne/Bourne is an old name for River. such and such Bridge road, signifies that at some point there was most probably a bridge there over a river. Have a look at this information that I collated a few years ago.

SUBTERRANEAN RIVERS IN LONDON

Incomplete List:

The subterranean or underground rivers of London are the tributaries of the River Thames and River Lea that were built over during the growth of the metropolis of London. Since it is difficult to stop water from flowing downhill, the rivers now flow through underground culverts.

Many London localities started their existence as small villages along these rivers, and their place names reflect their origin. Bourne is an old name for river so anything that has bourn or burn in the name is most likely to reflect that there is a river near by ie:Westbourne, Kilburn, Tyburn ( Oxford Street and Park Lane used to be called Tybrun Road and Tyburn Lane respectively)

River Thames – north bank from east to west:

The Langbourne

The Walbrook

The River Fleet (see Fleet Street)

The Tyburn

The Tyburn Brook

The River Westbourne

the River Westbourne is a river in London, England. It flows from Hampstead down through Hyde Park to Sloane Square and into the River Thames at Chelsea. The river was originally called the Kilburn (Cye Bourne — royal stream, ‘Bourne’ being an Anglo-Saxon word for ‘river’) but has been known, at different times and in different places, as Kelebourne, Kilburn, Bayswater, Bayswater River, Bayswater Rivulet, Serpentine River, The Bourne, Westburn Brook, the Ranelagh River and, the Ranelagh Sewer. It is of similar size to the Fleet.

The River Westbourne rose in Hampstead and flowed south through Kilburn. Kilburn was the name of the river at that point. It ran west along what is now Kilburn Park Road and then south along what is now Shirland Road. After crossing what is now Bishops Bridge Road, the river continued more or less due south, between what is now Craven Terrace and what is now Gloucester Terrace. At this point, the river was known until the early nineteenth century as the Bayswater rivulet and from that it gave its name to the area now known as Bayswater.

Originally, however, Bayswater was the point on the river where it crosses Bayswater Road, which was called Bayards Watering in 1652 and Bayards Watering Place in 1654. It is said that there is a reference to Bayards Watering Place as early as 1380. There were a few houses at this spot in the eighteenth century, and, it seems, a man called Bayard used or offered it as a watering place for horses on the main road to Uxbridge which is called Bayswater Road at this point (formerly Uxbridge Road).

The river enters Hyde Park at what is now the Serpentine, which was formed in 1730 by building a dam across the Westbourne at the instigation of Queen Caroline, wife of George II, in order to beautify the royal park. The Westbourne ceased to provide the water for the Serpentine in 1834, as the river had become polluted, and the Serpentine is now supplied from water pumped from the Thames.

The Westbourne left Hyde Park (both before and after it had been dammed to form the Serpentine) at Knightsbridge which was originally a bridge over the Westbourne itself. It is recorded that, in the year 1141, the citizens of London met Matilda of England at this bridge. The river ran from Knightsbridge south west through Chelsea into the river Thames.

The river leaves the Serpentine by the cascade at the eastern end of that lake. From there it flows roughly due south. It gives its name to Bourne Street, SW1 and follows very closely the boundary between the City of Westminster and the Royal Borough of Kensington and Chelsea. This can be seen very clearly in the meandering purple line down the middle of this map.

The waters of the Westbourne or Bayswater were originally pure and in 1437 and 1439 conduits were laid to carry water from the Westbourne into the City of London, for drinking. In the nineteenth century, however, the water became filthy and impure by its use, in effect, as a sewer.

When Belgravia, Chelsea and Paddington were developed, it became necessary to drive the river Westbourne underground in order to build over it. The river was therefore directed into pipes in the early part of the nineteenth century, work which was completed in the 1850s. Since then, the Westbourne has been one of the lost rivers of London, running underground in a pipe.

The pipe can still be seen running above the platform of Sloane Square tube station. It is located just below the ceiling towards the end of the platforms closest to the exits. The pipe is the original one constructed in the nineteenth century. Although the station was badly bombed during the Battle of Britain in November 1940, the old iron pipe was not damaged.

The river falls into the river Thames about 300 yards west of Chelsea Bridge. This outfall, from a pipe now called the Ranelagh Sewer, can still be seen at low tide.

The finest and most intelligible map of the whole course of the Westbourne, superimposed over the Victorian street plan, is found in an article by J. G. Waller, published in the Transactions of the London and Middlesex Archaeological Society, vol VI (1882) pp 272–279.

The map shows that the River Westbourne never ran as far west as even the easternmost extremity of Westbourne Grove (which ends at Queensway). The areas called Westbourne were to the west of the river, as is Westbourne Grove itself. That is why they were called “Westbourne” — because they lay west of the bourne or river.

Counter’s Creek

Stamford Brook

River Thames – south bank:

River Thames

River Thames as seen from the London Eye

The River Neckinger

The River Effra

The Falconbrook

The River Peck

River Lea:

The beautiful River Lea

the impressive River Lea

Hackney Brook

The River Moselle

River Moselle

The River Moselle visible above ground on its way through Tottenham Cemetery. This now-modest stream once posed a significant flooding threat to the area. (November 2005)

The River Moselle, also referred to as Moselle Brook, is in North London and flows through Tottenham towards the Lee Valley. The river was originally a tributary of the River Lee, but it now flows into Pymmes Brook, another Lee tributary.

The name derives from ‘Mosse-Hill’ in Hornsey, the high ground containing one of the river’s sources, and bears no direct etymological relationship to the major continental Moselle River.[1] The hill area also gave its name to the district of Muswell Hill and for a time the river was known as the Moswell.

Unlike the Hackney Brook further south, the Moselle is not a “lost river”. Although long stretches have been culverted (Moselle Avenue in Noel Park runs above the culverted river), it does not disappear into the London sewer system and much of its route can be easily traced. It can be seen flowing overground in Tottenham Cemetery (right) and Lordship Recreation Ground, and gave its name to the Broadwater Farm area between the two.

Pymmes Brook near Waterfall Road

Pymmes Brook off the Beat and track

MY BELOVED PYMMES BROOK:

I absolutely love Pymmes Brook, this river has so many areas which are unspoilt, untouched, full of wildlife and remarkably people free! There is such a thing as the Pymmes Brook trail, if you follow it you will find some beautifully hidden spots, but it did take me years of visiting to find the good places, so set yourself a task and an adventure, discovering nature in London is most exciting! Have a look at this link, if you are local to Barnet, Haringay and even Islington and Camden. http://www.bertuchi.co.uk/pymmesbrook.html otherwise find out which river is closest to you and explore.

RIvers of London

Pymmes Brook at Oakhill Park

NEW RIVER, REGENTS CANAL:  Ok so these are indeed bodies of water but technically they are man made Rivers not natural ones. However the water supplying the New River comes from the River Lea. The New River is an important in London’s Water Supply. It is good to understand where your water comes from.

CEMETERY

Well you won’t find me here often since I have a taboo and am restricted in visiting cemeteries, but I can highly recommend a visit to the Historical Highgate Cemetery.

This of course is the burial place of many well known figures of history, literature and culture including Karl Marx. It is also a Grade 1 listed park. It is indeed a beautiful and fascinating place. For more information and photos please see this link:    http://www.highgate-cemetery.org/  Oya is the Orisha that guards the gates of the Cemetery, but she also is the Orisha of the market place. My next blog will look at where to buy necessary products and some of my favourite markets and shops!

So these are some of my favourite spots. You don’t have to be an Orisha Worshipper to appreciate the nature around you; but to me my path is amongst other things the ability and desire to connect with the natural elements around you, feeling their energy and warmth. It is about seeing the beauty in nature and appreciating it. Being fascinating and full of praise at the Sunset and Sunrise every morning ( Olorun) marvelling at the sound of thunder and force of lightning, ( Chango), being impressed by the power of the wind, and opening your eyes at miracles like the Rainbow ( Oshumare). This religion and path has been demonised, exotisiced, and put in boxes shrouded in mystery and fear; but to me personally, this path has just showed me the beauty of what is around me.

Rainbow

Recently August 2011, there were rainbows over North London every afternoon

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Orisha Art and symbol; thrones.

Orisha Art and symbol; thrones.

Throne for Obatala in Cuba;

There are so many ways that an Artist walking this path can use their skills. The building of thrones for the Orisha, and making of ceremonial dress  is so much part of our culture. In addition there are Pañuelos to dress our Orisha on special occasions and Banderas to hang in our houses amongst other things.

My second Ocha birthday was the first time I was challenged to build a throne for my Orisha. There are rules on how to build a throne correctly, and with those in mind, it was an exciting challenge to buy fabrics and learn how to use a staple gun. London is full of exciting fabric shops. The fact that we have such a huge African, Afro Caribbean and Asian community means that there is a wealth of interesting fabrics to experiment with. For my second birthday I decided to delve into the Asian shops of Southall to buy Saris in the colours of My path of Oshun and use them to build my throne.

Building Thrones

The first Throne I ever Built

Southall and Bricklane house fabric shops selling Saris but also many Asian inspired fabrics. In Brixton and Dalston you find African Fabrics. For more of a traditional Satin theme, there are the traditional shops in Berwick Street Market, although a cheaper alternative is to go to Shepherds Bush for a great selection of reasonably Priced fabric shops; and for embellishing, I have a prefered Habedashery that I go to in Kentish Town that sells all manor of beautiful trimmings, but there are many traditional Shops that sell trimmings all over London.

I never saw myself particularly as a Visual Artist, however I always had clear images in my head, pictures I wanted to paint and scenes and stories I wanted to create in a visual way. My third Birthday was very special since we hosted the first tambor de Fundamento ever in the UK. wildindigo.co.uk I decided a few months previously that I was going to make a banner to decorate my throne. I had a strong image in my mind and went out to buy sequins, shells, trimmings, fabric, and beads  and silk threads that I thought I could paint my picture with. The Banner took three months to make. I spent all my spare time sewing on the sequins, beads and threads and I was so happy with the result.  

Hand made Banner to celebrate my third Ocha Birthday

My Third Birthday Banner Maferefun La Ocha!

The Banner depicts a Peacock and is decorated with Sequins and beads; on either side of the Peacock is written Ile Ochun Kayode and above Maferefun La Ocha. The Border is decorated with Gold Trimming, Gold Cowrie shells and Bells and a fan made out of Mother of Pearl. 

Detail
Third Birthday throne

Third Birthday Throne, photo by Reynaldo Trombetta

Detail Of Peacock Tail

Thrones for the Orisha are built for all sorts of reasons. A throne is built for a new initiate, who will have to sleep on the floor for seven days; to celebrate the Birthday of an Olorisha; to honour an Orisha  on the day of a Tambor.  In Cuba thrones tend to be less ostentatious than perhaps in the US;  but I think the most important thing has to be when building a throne that you are building it with love in your heart and not with the idea that the throne has to be bigger or better. If you are interested in the history of Orisha Art in the Diasporo have a look at  the  fascinating  book Written by David H. Brown called “Santeria Enthroned: Art, Ritual and Innovation in an Afro -Cuban Religion”. This book has some great photos, information about the legacy of our religion and explanations contemporary  style of dress and throne.

For those of you who are in London here are good spots for buying fabrics: 

http://www.diy-couture.co.uk/shepherdsbush.html  

http://www.macculloch-wallis.co.uk/FrameStatic.aspx/TheStore.htm  

http://www.beadinginlondon.co.uk/shops/  

http://www.dalstonmillfabrics.co.uk/  

http://www.africanqueenfabrics.com/


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Making Elekes

Net for Yemaya

Making Elekes

Daniela

When I was young, the idea that I would be able to sit down for long periods of time and create something quite beautiful would have never entered my mind. I lacked focus and concentration and was not very good at sitting still.  When I became an Iyawo (Iyawo signifies “Bride of the Orisha” and it is  the year that follows an Initiation as a Priest in the Lucumi tradition), the strict taboos bestowed on me inspired me to find things to fill my time and I was keen to find things Orisha inspired. Beading and making Elekes and Ides became an obvious choice. It was therapy, meditation and creativity all rolled into one. My eye for colour and beautiful beads was inspired and I was amazed to find in England that there is quite a tradition of beading and bead fairs selling all manner of beautiful beads all year long.

The wearing of Elekes identifies us as practioners of this path. But they are not just pretty beads. Four of the necklaces (  representing Oshun, Yemaya, Chango and Obatala; in some houses Elegua is also received but not in mine) are received in a very important and significant ceremony. They will have been consecrated before the ceremony. This ceremony is marked by a reading and  does not take place just because the individual wants to wear a set of the pretty beads. The Elekes are there to serve a purpose, they are worn for protection, and buying them on line, or in a Botanica and wearing them means nothing and does not act as a protection, it just means that you are advertising yourself as something you are not. This practise should really be discouraged. In addition consecrated beads and Ides are not to be touched by the uninitiated. Please don’t be offended if you reach out to touch mine and I exclaim ” please do not touch!”

The Science of making Elekes is complicated. Each Orisha has it’s number of beads, colour and variation on colour with every path of Orisha. There are also regional and house distinctions and also Elekes that represent Odu. ( system of adivination).  When I was an Iyawo. I became a factory of Ides and Elekes, I also started beading anything that did not move! I begun to receive commissions and did quite a few, but since then other things have taken over and I made a conscious decision not to dedicate myself to making Elekes and Ides to sell but  to make only for Ocha family and godchildren and also my Orisha. Since I wanted it always to be a labour of love. I didn’t want to end up resenting making them or making them to a deadline in a hurry.  I have decided although I have seen so many beautiful Mazos for the Orisha that even if it takes time, I would like to be the one to make them for my own Orisha. I still enjoy beading and find it therapeutic. I make them in silence in my Ocha room and pray and count as I go. I have made all of the ones received from my godaughters and am proud that they were not bought on line or from a Botanica.

Eleke for Ibu Anya

Ides are what Santeros ( Iyalorisha/babalorisha or Olorisha) wear on their left wrist. It identifies who  they are crowned with and also acts as a protection.  A Mazo is a large many stranded necklace. I have also made beaded nets for my Orisha. Beading is very much part of our artistic tradition.

Net for Yemaya

Not all Santeros are going to find that they have time or inclination to make their own Mazos for Orisha or Elekes and Ides, not everyone is blessed with the same skills. And so it is great to have such talented people in the community like Martin Tsang, ( Priest of Inle. Orisha Arts)  who taught me alot when I was an Iyawo.  Here are some sites to check out.

Ready made beautiful beadwork

https://www.facebook.com/OrishaArts

http://beaded-mazo.com/

Want to make?

http://www.ukbeadfairs.co.uk/

http://www.beadshows.co.uk/
Bead shop Covent Garden:

http://www.beadworks.co.uk/

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I can’t believe I am writing a blog!

Yes I am writing a Blog. I find that people ask me alot of questions, maybe here I can answer a few. I hope you enjoy it. These are just my thoughts, experiences, muses and observations. I am not expecting anyone to agree or disagree with what I write but I really hope that what I do write will enlighten some of you and ring bells with others. I hope to also post, photos, music and links of stuff that  I like and maybe you will like too. 



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